“Nemo’s” tags can be seen everywhere. It’s hard to believe that he doesn’t leave his mark where ever he stands. From street signs, to 2-inch squares, no place is too small or big for him to make his presence known.
“Emo”, makes you wonder “how?” The heights he reaches are insurmountable and always unequivocally identifiable. His handstyle is consistent and intriguing. While he is a dedicated piecer, his feet is firmly grounded in the bombers’ world.
“Mas” color combinations are palatable like sweet and sour gummies, gobstoppers, or something out of Willy Wonka’s Factory. They are meant to be visually-tasted when seen, allowing us fellatio-like access to Graff.
“Lost” denounces social constructs any and everywhere they exists. His ode to “GetLOSTAlot” is an anthem of the streets and returns the keys of the city to the have-nots.
DISTORT “Distort” tells stories of creation and discovery. His impressionistic and gothic allegory of homosapien life with Da Vinci near-touches and Picasso’s Mademoiselles extends time in a mural. Using collage as a means of illustrating his sketches and etching inside of paint cans this mastermind appropriates classical tools in a urban setting. The canon-cultivated writer raises the ladder without changing the scene. Genius!